Stray Kids – Chicago Concert Highlights
Attribute | Detail |
---|---|
Band Name | Stray Kids |
Concert Date | June 26, 2025 |
Venue | Wrigley Field, Chicago |
Tour Name | dominATE World Tour |
Attendance | 40,000+ (sold-out show) |
Notable Tracks Performed | “Thunderous,” “Chk Chk Boom,” “God’s Menu,” “LALALALA,” “Maniac” |
Special Moments | Felix’s birthday tribute, fan montage, Cubs jerseys encore |
Subunit Performances | “ESCAPE,” “Burnin’ Tires,” “Truman,” “CINEMA” |
Firsts | First K-pop act at Wrigley Field |
Official Source | Chicago Sun-Times Review |

Wrigley Field throbbed on a windy June night with a vitality unrelated to baseball. The thrilling South Korean boy band Stray Kids’ performance at the end of their dominATE Tour’s U.S. leg radically changed the definition of what a live concert can be. This was about more than just music; it was about identity, belonging, and a common emotional experience that transcended boundaries and language.
The historic stadium, which will always be remembered for its first-ever K-pop performance, was filled with over 40,000 fans. The atmosphere was eerily reminiscent of the last night of a championship season. The group enthralled with unrelenting momentum from the opening burst of sound in “MOUNTAINS” to the final beautiful note in “Haven.” Each performer was obviously conscious of the importance of this evening and gave their performances with accuracy, individuality, and emotional depth.
Stray Kids provided something very uncommon by playing more than 30 songs in one night: a full portrait of their musical personality. Their repertoire ranged from sweaty rock rhythms to electronic dance grooves, from emotionally charged ballads to pounding rap verses. While “Cover Me” and “Lonely St.” provided a grounded, introspective sincerity, songs like “Thunderous” and “Chk Chk Boom” were performed with fiery confidence.
Creative surprise moments were introduced by the group’s subunits. “Truman” by Felix and Han was polished and lighthearted. During “Burnin’ Tires,” Changbin and I.N. burst onto the stage as the scent of rubber filled the air, an unanticipated sensory cue that heightened the intensity. While Lee Know and Seungmin’s “CINEMA” skillfully combined theater and pop, Bang Chan and Hyunjin’s “ESCAPE” featured eerie vocals over cinematic imagery.
Felix, who was obviously touched by the event, took a moment during the performance to recognize their progress since Lollapalooza 2024. With obvious overwhelm, he remarked, “Look how big we’ve grown.” The crowd found great resonance in that statement. As the group’s trajectory has been exceptionally steep—going from festival guest stars to stadium headliners in less than a year—this reflection has become more frequent in recent days.
During one interlude, leader Bang Chan spoke carefully to the audience. He made reference to a previous performance in Washington, D.C., that was canceled because of excessive heat and fan hospitalizations when he said, “If you need water, please ask someone.” His reminder struck me as incredibly considerate, further reinforcing the idea that Stray Kids performances are about presence and protection as much as performance.
Stays (Stray Kids fans) shared messages about the influence the group had on their lives during a mid-show video montage that was submitted by fans. Both Bang Chan and the audience were moved to tears by the video, which featured stories of emotional fortitude and themes of self-worth. “The fact that we are here, all different people in one place, singing the same songs—it speaks for itself,” he said in a quiet but impactful reply.
The encore at the concert seemed to be a celebration of all the previous achievements. Waving to jubilant fans, the members rode mobile carts around the stadium while sporting Chicago Cubs jerseys. It felt truly earned and not gimmicky. This was an especially symbolic victory lap for a band that frequently preaches about breaking the mold and accepting your imperfections.
Anaiah King, a 17-year-old from Cincinnati, later remarked that the environment was supportive, safe, and cohesive. “It’s not just that they do well; it’s how they make you feel important,” she said. Her remarks confirmed what many have observed during recent tours: Stray Kids’ capacity to create a feeling of community is especially creative and radically human.
Teenagers, young adults, and parents who were encouraging made up the audience, and they all reacted to each song with remarkable fervor. The show was “unlike anything I’ve ever experienced,” according to a South Dakota father who had flown in with his daughter and was proudly sporting a “K-pop Dad” shirt. His comment highlights Stray Kids’ remarkably powerful appeal across generations, which seems to come naturally to them.
Stray Kids’ performance has set a particularly high bar as Chicago continues to welcome Korean performers—TWICE will be the main act at Lollapalooza next month, and ATEEZ will soon play at Wrigley as well. They didn’t follow trends with their performance. It was about embracing the present with fervor, originality, and unwavering honesty.